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Rogga Johansson's death metal proliferation certainly leaves him at the disadvantage of spreading himself a little thin, and Ribspreader itself seems to have been a victim of the process. This was actually one of the first of his projects I got heavily into, but beyond the first couple albums I felt there were some diminishing returns as far as my excitement level. Descendents Fat Ep Rar there. Recently, The Van Murders and the Kult of the Pneumatic Killrod double album were both decent offerings, but nothing to whip me into a frenzy like his work with Putrevore or Revolting, and Meathymns sort of continues this process of meting out solid, competent but ultimately somewhat ineffectual death metal with a heavy emphasis on the Swedish sound that so inspired Rogga in the first place. Iq Puzzles Pdf more. This is a concise record that knows exactly what it's on about. Beefy rhythm guitars with a lot of thrash and punch to them which I'd liken to a blend of Heartwork-era Carcass, Dismember and Entombed, though the riffs are about 50/50 hit or miss in terms of becoming engraved on the listener's memory.

A handful of more melodic tremolo picked riffs strewn about the grisly landscape, and a lot of low-end to the album in general thanks to Rogga's impenetrably consistent guttural which anyone used to Ribspreader, Revolting or Paganizer would be intimately familiar with. The drums generally shuffle along at a d-beat clip or similar pace which works well with the sinewy muted guitars, with a snappy enthusiasm to the snares. Lead guitars don't play a major role here, apart from some sporadic melodies, and I also felt like the bass lines weren't heavily involved in building an atmosphere, rather just adhering to the guitars and amplifying that bass.