Ghulam Ali (1940-) is a famous Pakistani ghazal singer. Ghulam Ali was born in the village of Kaleke, Sialkot, Pakistan in 1940 (before partition). More Ghazals Ghulam Ali videos. Watch Ghulam Ali singing Humko Kisi Ke Gham Ne Maara at one of his live concert. Ustad Ghulam Ali is a Pakistani ghazal singer of the Patiala Gharana. Ghazals - Ghulam Ali Songs Download- Listen Urdu Ghazals - Ghulam Ali MP3 songs online free. Play Ghazals - Ghulam Ali Urdu movie songs MP3 by Ghulam Ali and download.
• • • The ghazal (: غزَل ,: ग़ज़ल), a type of amatory poem or ode, was famous all around the Indian subcontinent in the 18th and 19th centuries. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The form is ancient, originating in Arabic poetry in Arabia long before the birth of Islam. It is derived from the Arabian. The structural requirements of the ghazal are similar in stringency to those of the.
In style and content, it is a genre that has proved capable of an extraordinary variety of expression around its central themes of love and separation. Jurnal Stoikiometry more. The ghazal was spread into in the 12th century by the influence of mystics and the courts of the new Islamic sultanates. Although the ghazal is most prominently a form of and, it is now found in the poetry of many languages on the. Ghazals were written by and of; the poet in the; and of; and of. Through the influence of (1749–1832), the ghazal became very popular in during the 19th century; the form was used extensively by (1788–1866) and (1796–1835).
The poet was a proponent of the form, both in English and in other languages; he edited a volume of 'real Ghazals in English'. Ghazals were also written by (1866–1896), the pioneer of Nepali ghazal writing in. All the lines of a ghazal have the same meter. It is common in ghazals for the poet's name (known as ) to be featured in the last verse (a convention known as the ). Contents • • • • • • • • • • • • • • Pronunciation [ ] The word غزل ġazal is pronounced, roughly like the English word guzzle, but with the ġ pronounced without a complete closure between the tongue and the.
In English, the word is pronounced. Themes [ ] Unconditional, superior love [ ] Can usually be interpreted for a higher being or for a mortal beloved. Love is always viewed as something that will complete a human being, and if attained will lift him or her into the ranks of the wise, or will bring satisfaction to the soul of the poet. Traditional ghazal law may or may not have an explicit element of sexual desire in it, and the love may be spiritual. The love may be directed to either a man or a woman. The ghazal is always written from the point of view of the unrequited lover whose beloved is portrayed as unattainable. Most often, either the beloved has not returned the poet's love or returns it without sincerity or else the societal circumstances do not allow it.
The lover is aware and resigned to this fate but continues loving nonetheless; the lyrical impetus of the poem derives from this tension. Representations of the lover's powerlessness to resist his feelings often include lyrically exaggerated violence. The beloved's power to captivate the speaker may be represented in extended metaphors about the 'arrows of his eyes', or by referring to the beloved as an assassin or a killer. Take, for example, the following couplets from 's Persian ghazal Nami danam chi manzil buud shab. I wonder what was the place where I was last night, All around me were half-slaughtered victims of love, tossing about in agony. There was a nymph-like beloved with cypress-like form and tulip-like face, Ruthlessly playing havoc with the hearts of the lovers. Sufism [ ] Many of the major historical ghazal poets were either avowed Sufis themselves (like or ), or were sympathizers with Sufi ideas.